My experience editing The Upshaws led me to my next show, History of the World, Part II. ![]() History of the World Part 2 | Trailer | Hulu youtu.be I enjoyed the challenge of landing the jokes with the proper takes and reactions while artfully weaving in the laughter. The editorial style of The Upshaws is a hybrid of the two: we have the element of the studio audience, however, our showrunners prefer that the edits are on the tighter side, which is a different take on this format. Single Camera comedy, however, is usually edited in a much tighter manner, with jokes layered on top of each other. Multi-camera sitcoms are shot on a soundstage with a studio audience and because they have a laugh track, the editorial style is much like stand-up comedy in the sense that the show is cut fat with room for the laughter to play out and time for the characters to take the laughter in. The Upshaws: Part 3 | Official Trailer | Netflix youtu.beĬoming from a background of editing stand-up comedy made my transition to cutting The Upshaws a fluid one. ![]() This came with a lot of pressure and growth but also led to my first three Primetime Emmy nominations in 2023: two for The Upshaws and one for History of the World Part II. ![]() It was my first multi-camera sitcom and I was the only editor on the second season of a hit show (except Episode 5, where I share a credit with the talented Russell Griffin). This was a pivotal moment in my career for multiple reasons.
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